BPM and Key for songs by Maria Seger

Maria Seger

Chapter 2: Print Culture and the Enduring Legacy of Confederate War Monuments.8 & Chapter 3: South by Southwest: Confederate and Conquistador Memorials Crossing/Closing Borders.1 - Reading Confederate Monuments

Maria Seger

Chapter 3: South by Southwest: Confederate and Conquistador Memorials Crossing/Closing Borders.9 & Chapter 4: Weaponizing Silent Sam: Heritage Politics and The Third Revolution.1 - Reading Confederate Monuments

Maria Seger

Chapter 5: "Wasting the Past": Albion Tourgée, Confederate Memory, and the Politics of Context.3 - Reading Confederate Monuments

Maria Seger

Chapter 7: Performing Counter-Monumentality of the Civil War in Natasha Trethewey's Native Guard and Suzan-Lori Parks's Father Comes Home from the Wars: Parts 1, 2, and 3.2 - Reading Confederate Monuments

Maria Seger

Chapter 7: Performing Counter-Monumentality of the Civil War in Natasha Trethewey's Native Guard and Suzan-Lori Parks's Father Comes Home from the Wars: Parts 1, 2, and 3.3 - Reading Confederate Monuments

Maria Seger

Chapter 7: Performing Counter-Monumentality of the Civil War in Natasha Trethewey's Native Guard and Suzan-Lori Parks's Father Comes Home from the Wars: Parts 1, 2, and 3.5 - Reading Confederate Monuments

Maria Seger

Chapter 8: Rewriting the Landscape: Black Communities and the Confederate Monuments They Inherited.2 - Reading Confederate Monuments

Maria Seger

Chapter 8: Rewriting the Landscape: Black Communities and the Confederate Monuments They Inherited.3 - Reading Confederate Monuments

Maria Seger

Chapter 8: Rewriting the Landscape: Black Communities and the Confederate Monuments They Inherited.4 & Chapter 9: Battle of the Billboards: White Supremacy and Memorial Culture in #Charlottesville.1 - Reading Confederate Monuments

Maria Seger

Chapter 9: Battle of the Billboards: White Supremacy and Memorial Culture in #Charlottesville.5 & Chapter 10: Teaching Confederate Monuments as American Literature.1 - Reading Confederate Monuments